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So what can I say to you? I don't know how to please your readers. Those're people with whom you've got to be gentle. You can't beat them up. They like us to amuse them without abusing them.
Traducere // Translate
Let's talk. An author doesn't have so many books in him. I got into it out of curiosity. Curiosity, that's expensive. I've become a tragical chronicler.
- Markus Goller.
- Робот Алиенора возвратилась в подземелье к тому времени, когда Николь пробудилась.
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- RECAPITULARE: Outlander – Sezonul 2
- Те, кто в силах создать искусственные существа, подобные Орлу.
Most authors are looking for tragedy without finding it. They remember personal little stories which aren't tragedy. You'll say: The Greeks. The tragic Greeks had the impression of speaking with the gods.
Well, sure. Christ, it's not everyday you have a chance to telephone the gods. How's that for catharsis! The fall of Stalingrad is the fete in cautare de baieti of Europe.
Nu o sa va ofer niciun spoiler, desi cred ca aveti o idee vaga despre ceea ce se va intampla, insa pana atunci iata un rezumat al sezonului 2. Cum de s-a intamplat una ca asta? Totusi, acum ca acum ca au ajuns in Le Havre, trebuie sa faca rost si de un dusman pe mansura, in persoana Contelui de Saint Germain. Desi Jamie si Claire sustin cauza printului, in teorie, acestia de fapt incearca sa impiedice pornirea razboiului si astfel eradicarea tuturor clanurilor din Scotia. Facem cunostiinta si cu Alex, fratele lui Black Jack Randall care ete in acelasi timp si protejatul ducelui de Sandrigam.
There was a cataclysm. The core of it all was Stalingrad. There you can say it was finished and well finished, the white civilization. So all that, it made some noise, some boiling, the guns, the waterfalls. I was in it. I profited off it. I used this stuff. I sell it.
Cauta? i Housewife Le Havre I've been mixed up in situations—the Jewish situation—which were none of my business, I had no business being there. Even so I described them. Your style shook a lot of habits. Take the impressionists. They took their painting one fine day and went to paint outside. They saw how you really lunch on the grass.
The musicians worked at it too. From Bach to Debussy there's a big difference.
They've caused some revolutions. They've stirred the colors, the sounds. For me it's words, the positions of words.
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Where French literature's concerned, there I'm going to be the wise man, make no mistake. We're pupils of the religions—Catholic, Protestant, Jewish. Well, the Christian religions. Those who directed French education down through the centuries were the Jesuits.
What we understand today by love feeling plus passion did not interest the Greeks.
They taught us how to make sentences translated from the Latin, well balanced, with a verb, a subject, a complement, a rhythm. In short—here a speech, there a preach, everywhere a sermon!
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It's flat, it's nothing, it's nil. Me, I've slipped the spoken word into print. In one sole shot.
It's work. It doesn't seem like anything the way it is, but it's quality. To do a novel like one of mine you have to write eighty thousand pages in order to get eight hundred. He writes like he talks. Those are everyday words. They're practically identical.
You recognize them. A word used like that becomes Cauta? i Housewife Le Havre the same time more intimate and more exact than what you usually find there. You make up your style. It helps to get out what you want to show of yourself. Savy, the biologist, said something appropriate: In the beginning there was emotion, and the verb wasn't there at all. When Cauta? i Housewife Le Havre tickle an amoeba she withdraws, she has emotion, she doesn't speak but she does have emotion.
- Пока они сидели в тишине, страхи Николь только усилились.
- Поинтересовалась Николь.
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A baby cries, a horse gallops. Only us, they've given us the verb. That gives you the politician, the writer, the prophet.
The verb's horrible. You can't smell it. But to get to the point where you can translate this emotion, that's a difficulty no one imagines. It's ugly.
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It's superhuman. It's a trick that'll kill a guy. You've got to pay. A story you make up, that isn't worth anything. The only story that counts is the one you pay for. When it's paid for, then you've got the right to transform it. Otherwise it's lousy.
Me, I work. I have a contract, it's got to be filled. Only I'm sixty-six years old today, I'm seventy-five percent mutilated.
At my age most men have retired. I owe six million to Gallimard. I already have another novel in the works: always the same stuff.
Taxil, în timpul domniei lui Ludovic-Filip, uriaşă ca întindere - păstrând proporţiile -posedă, cu câteva onorabile excepţii, întreaga profundă ignoranţă, superstiţia, obiceiurile josnice, depravarea moravurilor la fel ca la copiii pădurii. Trivialitatea sa, rusticitatea, neprevederea, prodigalitatea sa în mijlocul veseliei burleşti şi al orgiilor, atât de aducătoare de prejudicii bunăstării sale, nu pot, şi o spun fără părtinire, să fie exprimate, căci zugrăvirea lor ar fi mult prea hidoasă"1. S-ar putea cu uşurinţă alcătui o antologie cu texte de soiul acesta. Pentru burghezul Cauta? i Housewife Le Havre, proletarul nu este decât un sălbatic din cea mai primejdioasă specie, reprezentantul unui fel de rasă inferioară. Cantitativ, teza lui F.
It's chicken feed. I know a few novels.
But novels are a little like lace. Novels can't fight cars, movies, television, booze. A guy who's eaten well, who's escaped the big war, in the evenings gives a peck to the old lady and his day's finished. Done with.